The grind

Well, Magfest came and went, and as usual it was a blast. I bought a bunch of video games (Final Fantasy Anthologies, Final Fantasy Chronicles, and Final Fantasy 7!), had a bunch of great jams with people, and even had an extended vacation when a handful of OCR folks stayed at my place for an additional three days. It was a lot of fun!

But now that the fun is over with, I've spent most of this month working the hardest I ever have. Lots has happened, but to summarize:

• My Yale audition is February 22nd
• My recital is either March 10th/11th, or April 15th
• I'm no longer enrolled as a student at Peabody, but am playing in orchestra in exchange for practice room usage.

Now that I have deadlines, I've basically spent every moment I have preparing for them in whatever ways I can. My hands have been the best they've been in a long time, and a 4 hour practice day is no longer a feat. I generally put in 3-5 hours of practice every day, depending on how much time I have. Sometimes my arms will give me some negative feedback, and I will have to rest--but for the most part they've done very well.

The only exception to this is my marimba playing, still. I'm having to practice with what my studio friend Adam Rosenblatt calls "Bastard Grip"--basically, Stevens grip in my left hand and Burton grip in my right. I want to be able to play with just Stevens grip, but right now my back two fingers and the muscles connected to them just can't provide the strength/support that I need to practice for a long time. So when I play marimba, about 75% of my practice is done with bastard grip--and the last 25% is done with matched Stevens.

The Yale deadline is fast approaching, and by February 22nd I need to play Donatoni's Omar, Klatzow's Dances of Earth and Fire, Delecluse's Etude No. 1 for snare drum, Carter's March for timpani, timpani excerpts from Beethoven's Symphony No. 9, Strauss' Burleske, Mozart's Symphony No. 39, Hindemith's Symphonic Metamorphosis, snare drum excerpts from Rimsky-Korsakov's Scheherazade, xylophone excerpts from Messiaen's Exotic Birds, and glockenspiel excerpts from Debussy's La Mer--with the option of also playing my first movement of Smith's ...And Points North and Cirone's Etude No. 32 if I want. Much of this list is on my A list--a.k.a, pieces/excerpts I know well. This would include all of the excerpts, as well as Delecluse 1. The Carter would definitely be on my B list--I know the piece and almost have it memorized, but it needs a lot of polish.

The two big pieces, Omar and Dances, are on my C list--I'm still learning the notes. Most of my work has been on these pieces, and by forcing myself to learn a set amount of notes daily, I'm finding it becomes easier and easier. As of today, I have a page and a half of Dances left to learn, and a few lines less than a very large page of Omar. I do think by this time next week, if I can keep my pace up, I will be done learning the notes to both pieces. I will definitely be done with Dances, but as challenging as Omar is to learn, I think I can do it.

This audition will be the single most important moment of my life thus far. So, lets do it!

Winter Break!

Hey ya'll, it's been a while since I posted in here last. Been super busy with school--percussion concert, Cynthia Yeh masterclass, Tom Freer masterclass, etc etc. All of which went really well! All and all it was a great semester for me. Music for Pieces of Wood, which I mentioned in my last post, went really well--and helped my arms out a lot. My marimba-related problems are getting a lot better too, even though they're still somewhat present. My physical therapist seemed to find the part of my arm that was causing the problems, so I've only seen improvement since.

My grad school plans have changed a lot since the last update as well. I had a long talk with Bob about what my options were, and he pretty much left me with two options: I audition for Yale this year and get in, or I don't get in and try again next year. He seemed to think taking a semester off might actually be a bad idea, and going to a different grad school first would just leave me exhausted. He told me he thought I was ready, and he didn't think I would be playing that much more at Yale than I am here now. Him saying that definitely gave me a lot more hope, so I'm feeling pretty optimistic now. All I have to do is get this freakin' recital ready first!

I'm back home in Connecticut now, on my new laptop. Just flew in this evening, actually. This computer is super awesome--it's a Toshiba running Windows Vista. However, it came with a free mail-in upgrade to Windows 7! I am super excited about that. I recently got a job working at RadioShack (to fill in the slow winter season on Spirit Cruises right now), and found this there on clearance. This computer is a huge improvement from my last one, and I'm excited about all the music I'll (hopefully) be able to create with it. I need to get my Dwelling of Duels entry ready for Magfest!

Not much to say here, really. Or rather, too much to say in one blog post. Mainly just wanted to indicate to you all (and myself) that I'm still alive!