Friday, January 29, 2010

The grind

Well, Magfest came and went, and as usual it was a blast. I bought a bunch of video games (Final Fantasy Anthologies, Final Fantasy Chronicles, and Final Fantasy 7!), had a bunch of great jams with people, and even had an extended vacation when a handful of OCR folks stayed at my place for an additional three days. It was a lot of fun!

But now that the fun is over with, I've spent most of this month working the hardest I ever have. Lots has happened, but to summarize:
  • My Yale audition is February 22nd
  • My recital is either March 10th/11th, or April 15th
  • I'm no longer enrolled as a student at Peabody, but am playing in orchestra in exchange for practice room usage.
Now that I have deadlines, I've basically spent every moment I have preparing for them in whatever ways I can. My hands have been the best they've been in a long time, and a 4 hour practice day is no longer a feat. I generally put in 3-5 hours of practice every day, depending on how much time I have. Sometimes my arms will give me some negative feedback, and I will have to rest--but for the most part they've done very well.

The only exception to this is my marimba playing, still. I'm having to practice with what my studio friend Adam Rosenblatt calls "Bastard Grip"--basically, Stevens grip in my left hand and Burton grip in my right. I want to be able to play with just Stevens grip, but right now my back two fingers and the muscles connected to them just can't provide the strength/support that I need to practice for a long time. So when I play marimba, about 75% of my practice is done with bastard grip--and the last 25% is done with matched Stevens.

The Yale deadline is fast approaching, and by February 22nd I need to play Donatoni's Omar, Klatzow's Dances of Earth and Fire, Delecluse's Etude No. 1 for snare drum, Carter's March for timpani, timpani excerpts from Beethoven's Symphony No. 9, Strauss' Burleske, Mozart's Symphony No. 39, Hindemith's Symphonic Metamorphosis, snare drum excerpts from Rimsky-Korsakov's Scheherazade, xylophone excerpts from Messiaen's Exotic Birds, and glockenspiel excerpts from Debussy's La Mer--with the option of also playing my first movement of Smith's ...And Points North and Cirone's Etude No. 32 if I want. Much of this list is on my A list--a.k.a, pieces/excerpts I know well. This would include all of the excerpts, as well as Delecluse 1. The Carter would definitely be on my B list--I know the piece and almost have it memorized, but it needs a lot of polish.

The two big pieces, Omar and Dances, are on my C list--I'm still learning the notes. Most of my work has been on these pieces, and by forcing myself to learn a set amount of notes daily, I'm finding it becomes easier and easier. As of today, I have a page and a half of Dances left to learn, and a few lines less than a very large page of Omar. I do think by this time next week, if I can keep my pace up, I will be done learning the notes to both pieces. I will definitely be done with Dances, but as challenging as Omar is to learn, I think I can do it.

This audition will be the single most important moment of my life thus far. So, lets do it!

Friday, December 18, 2009

Winter Break!

Hey ya'll, it's been a while since I posted in here last. Been super busy with school--percussion concert, Cynthia Yeh masterclass, Tom Freer masterclass, etc etc. All of which went really well! All and all it was a great semester for me. Music for Pieces of Wood, which I mentioned in my last post, went really well--and helped my arms out a lot. My marimba-related problems are getting a lot better too, even though they're still somewhat present. My physical therapist seemed to find the part of my arm that was causing the problems, so I've only seen improvement since.

My grad school plans have changed a lot since the last update as well. I had a long talk with Bob about what my options were, and he pretty much left me with two options: I audition for Yale this year and get in, or I don't get in and try again next year. He seemed to think taking a semester off might actually be a bad idea, and going to a different grad school first would just leave me exhausted. He told me he thought I was ready, and he didn't think I would be playing that much more at Yale than I am here now. Him saying that definitely gave me a lot more hope, so I'm feeling pretty optimistic now. All I have to do is get this freakin' recital ready first!

I'm back home in Connecticut now, on my new laptop. Just flew in this evening, actually. This computer is super awesome--it's a Toshiba running Windows Vista. However, it came with a free mail-in upgrade to Windows 7! I am super excited about that. I recently got a job working at RadioShack (to fill in the slow winter season on Spirit Cruises right now), and found this there on clearance. This computer is a huge improvement from my last one, and I'm excited about all the music I'll (hopefully) be able to create with it. I need to get my Dwelling of Duels entry ready for Magfest!

Not much to say here, really. Or rather, too much to say in one blog post. Mainly just wanted to indicate to you all (and myself) that I'm still alive!

Monday, November 9, 2009

Grad School

I'm over halfway into this semester now, and I'm beginning to realize that I probably wont be able to learn my recital rep in time for my recital...whenever that's going to be. I guess we'll see what happens. My arms are way better than they were after the So incident now... but unfortunately there's still something wrong with my right arm. It mainly bothers me when I play marimba, but I even noticed it while playing Music for Pieces of Wood by Steve Reich yesterday (I'm beginning to find that my favorite composer may actually be my body's greatest foe). I guess I'll just have to keep doing what I'm doing, and wait and see what happens.

As I think ahead to auditioning for grad school next year, I've found myself having to explore more possibilities than just "I want to go to Yale." In fact, I'd say it's turned into something more like "I want to go to _____ so I can get ready for Yale." Yale is still my dream, and I know I can make it there someday if I have enough time... but how do I have enough time?

There are two ways that this year can end. I graduate, and get into Yale (or have reason to believe that I could be there very soon), or I graduate and don't get into Yale (or have reason to believe I couldn't be there very soon). Either way, I think I want to take a year off in between college and grad school. My arms are getting better every day, but I'm going to need to be playing way more per day than I am now. I'm just about caught up to what I consider to be the "Peabody average", or the amount of time you need to practice to stay on track here, but I know Yale will add a good 2-3 hours at least to whatever that is. A year off would give me a lot of time to prepare for the physical demands grad school will have.

If I get in to Yale this year (or if Bob recommends I wait until next year to audition), I'll spend my year off in Connecticut. Before school starts, I'd want to try to find work and be able to start building/rebuilding all of the Connecticut connections that I could have. That means playing jazz gigs again, trying to work more closely with the school systems, possibly doing the ARC program (Alternate Route to Certification) and becoming certified to teach, continuing to try to build a teaching reputation around the town and getting a steady job--music related or not. Of course, I'll be practicing throughout all of this, possibly even getting lessons from whoever I can...but without the stress of the regular playing commitments being in college presents.

If I do not get into Yale (or Bob recommends that I don't audition), I just began seriously considering doing my (first!) masters at the University of Miami in jazz vibraphone. Svet Stoyanov, who taught me for two years at Peabody, just started his job as the professor of percussion down there--in my last conversation with him, he remarked about how serious the jazz program seemed. The more I think about it, this could be a great opportunity to really polish my jazz chops and re-identify with that part of my musical personality--but still keep my classical chops in place by taking lessons with Svet. Plus, who could say no to two years in Miami? If that all goes well, I could audition for Yale after those two years and possibly be in even better shape for the audition than I would be otherwise. If I go down this track, I'd want to spend my year off in Baltimore--I've got so much work lined up here, as well as a great apartment, it would be silly to leave it and start the job search all over again in Connecticut. I'll also have more flexibility to go home more often throughout the year.

Of course, this could all backfire in my face, and I could end up at Yale next year. Or I could end up with a real job next year. Or I could end up in another country for whatever reason next year. Maybe I'll go to school for composition. Maybe the band I just joined will make it big and I'll be a rock star. Maybe I'll develop telekinesis. Who knows.

Wednesday, October 14, 2009

More Tendon crap

It's been 3 weeks since I hurt myself playing with So Percussion, and today I started to feel actual pain while playing. I know I whine about this a lot here, but it really concerns me. I don't really have time to take off from playing this year, so I need this to pass. I'm seeing my therapist again on Friday, so hopefully he can help me out.

Even though Thursdays are my busiest days, I'm going to try to start moving tomorrow. I have to teach jazz ear training in the morning, then go to orchestra until 5:30, but after I eat dinner maybe I can find some time to move stuff before I go to choir rehearsal at 7. I guess it's only an hour, but hey--it's a start. I'll start moving stuff for real on Friday.

I can't wait to get out of this apartment--even though I love it. The last month here has been a real struggle--the building's completely empty, the ceiling is falling apart and I have had no motivation to keep the place clean--simply because I'm leaving soon. But I'm really going to miss this place. I have a lot of fond memories about this apartment, even though it was basically my tendinitis jail cell. I wish I could go back to the beginning of my junior year of college. I was at school practicing all day (with no pain!), would get to hang out with all my friends there, and then come home to my roommate mixing rum and cokes and playing Wii sports. What a great time! Hanging out with him was awesome, practicing all day was awesome... I wish I hadn't spent so much of that time being sad about the break-up I went through over the summer. Of course, then the pain kicked in at the beginning of November... and the rest is history.

But even still: re-arranging furniture, getting plants, playing Chrono Cross with the windows open in the springtime, reading on my roof, jamming with Nick, and heck, getting drunk just because we could. I'll probably even miss doing dishes with a dishwasher (new place doesn't have one!) All of these things are memories now, but they are memories that I will hold close for the rest of my life. Even the little things. Especially the little things.

By the way, I'm an unbelievably nostalgic person.

Thursday, October 8, 2009

Optimisim

Just got back from another basketball game... pulled something in my neck almost immediately (can't look to the left right now), but it was fun to run around and stuff. I might be going to Philly to see the orchestra play Berlioz' Symphoy Fantastique tomorrow or Saturday, not sure yet. I was going to run the Baltimore 5K on Saturday morning, but it sold out right before my boss called me to confirm that I had that morning off. Go figure.

I don't know how other people experience this sort of thing (or even if they do), but I've always been fairly keen on what one would call "gut feelings". For me, it's just something that lingers in the background of whatever your thinking of... but sometimes, if you notice it, it will be glaringly obvious how a situation will turn out. It could be as stupid as a game of rock-paper-scissors, bringing your hand down and thinking "oh, I'm going to win this one" (which you do), or as crazy as Kei Maeda (a fellow percussionist at Peabody who doesn't really play basketball) dribbling a basketball at half-court, saying "I'm going to make this one. I feel it." (He made that half-court shot--and only that one).

The fact of the matter is, at least for me, they're there. You can't look for it, you can't fabricate it--it's just there, and you have to get lucky enough to notice it. It was the feeling I had going into my senior year of school--I thought my hands were good enough to go back to playing, but something just didn't feel right. Turns out, I wasn't ready to go back into playing full time. Same thing happened this year, and I was in way better shape than last year. Something just didn't feel right, and lo and behold--I injured myself playing with So.

But today, while playing snare drum, I caught myself thinking about how happy I was to be playing back in the studio, with Vikki (another percussionist, obviously) also playing in the room next to me. We both would always be practicing at the same time before we got injured, and it was nice to be doing it again. Then all the sudden, the thought crossed my mind:

"I'll really look forward to it next semester, when I'm completely healed."

That's when I realized...that gut anxiety I've had is gone. Even though I'm injured right now, it's gone. Suddenly it was just granted that everything would be back to normal. That normally doesn't happen that way, at least for me.

I dunno. I think a sign is a sign. I'm going to heed that sign...I like what it's saying. Of course, I'll still be careful--that's part of the deal. But I'll keep my head up, shoulders back, and just keep moving forward.

Just as soon as I get my neck looked at. Ow.

Thursday, October 1, 2009

Music and exercise

I just got back from a soccer game over at Hopkins. It was like, twelve of us from Peabody against a simple six man team from Hopkins. They creamed us, 8-0. But it was so much fun!

I'm realizing how important it is, as a musician, to get exercise. From the mental perspective, being shut into Peabody for so long really does a number on you, and sometimes the best thing you can do for yourself is to get out and run around. I've been in a slump lately, and this helped so much.

The physical side is super important as well though, and for me probably the most important. My right arm, for the moment, feels great. All that blood flow really does the body good. A warm muscle is a happy muscle, and my muscles really need that blood to keep them warm and help them heal. We'll see how it feels tomorrow, but for the time being I am happy.

I wish I could say the same for my right leg, though. My IT band is giving me the same pain that I have to deal with every once and a while. I'm pretty sure at this point I have some sort of predisposition to overuse injury, and I'd love to find out what it is.

Monday, September 28, 2009

Clever commercials

So I was watching Heroes today, and a commercial for some toy train set by Playskool came on. At least I think it was Playskool. Whatever. Anyway, the jingle for the commercial went "Play, Laugh, Grow", and the notes were something like "D, A, C". But being the nerd I am, I instinctively began singing it in solfege syllables. "Re, La, Do!"

Do you see the connection?!

Anyway, I played for the first time since So was here today. Wasn't too bad, but my arm still doesn't feel great. I hope it gets better soon. I think it will--it's not hurting anymore, so I know that's better. But it still feels pretty weak.

I'm trying to get my life as a whole super organized, now that I have some time to do that. To start, I've changed my active email address from @comcast.net to @gmail.com. Honestly, the biggest reason I wanted to switch to Gmail is because I liked the idea of being able to delete Thunderbird off my computer. Don't get me wrong, I think Thunderbird is a great program. But if I'm using Internet Explorer, I want to use Outlook Express for email. If I'm using Firefox for browsing, I want Thunderbird as my email. But I use Google Chrome as a browser now, and Google doesn't have a client-side email application. Honestly, I freakin' love Google. I use Google Chrome, Google Pages, Google Calendar... heck, YouTube and Blogger are also owned by Google. If Google takes over the world and suddenly I find myself under a worldwide dictatorship, so be it. At least I'll be able to find my shit.

My laptop is on it's way out, unfortunately. The power jack is failing more and more, the longer it's on... I have a feeling by the end of this week it will become completely unresponsive. I need to purchase a new power jack and have someone replace it for me (unless I want to try to replace it myself, but that's risky). Once I do that, I need to replace the battery. After that, I need to fix my iPod. After that, I need to repossess my desktop and fill it with memory/ram. If I can do all of that, I will reorganize my software and keep my laptop for personal stuff (homework, email, browsing, and of course chatting), and use my desktop strictly for music and perhaps some gaming (like I have time to do that anymore anyway). Apparently desktops are way more stable than laptops in general when it comes to music stuff, and if I can get the right upgrades my desktop should do me a lot of good.

I actually really miss playing video games. It's weird... during the school year, I'm pretty much scared of playing them because I assume there's something more important I need to do. However, it's one of those things that really helps me blow off steam from the stresses of school. I guess everyone needs a hobby, and gaming for me isn't like how it is for most basement-dwelling 20-30 year olds who got their degree in computer science so that they could use irc in all of their classes. Every game I play, I'm playing it like it's a form of art--listening to the music, seeing how it interacts with the artwork, the gameplay, how the art interacts with the gameplay and the script, how the script interacts with the music, etc. The game to best achieve this balance for me is by far Cave Story (or Dokutsu Monogatari, if you are Japaneasily inclined). Closest thing to a perfect game you'll ever play.

Of course, writing blog posts like this aren't really much of a better use of my time. I guess at least I'm writing, which is something you're supposed to be good at.